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  Francesca's hopes rose. The extreme care the girl was taking in keeping herself from being recognized fit the tentative assessment Francesca had made from the herb-seller's rather vague description of her--deliberately vague, she was convinced. This was a girl from Venice's upper crust, working the "gray trade" in disguise. Possibly for her own profit, but more likely because the family was in dire straits. She might even be from one of the Case Vecchie families, which would be ideal.

  Francesca walked directly toward the young woman, making certain to catch and hold her eye the next time the girl's surreptitious glance swept searchingly over the crowd. Relief suffused the woman's shadowed features, and she stepped forward to meet Francesca halfway.

  "I'm Kat. Are you Donatella's friend?"

  "Yes I am. I'm Francesca." She paused for a moment. "I'm temporarily at the House of the Red Cat. . . ."

  She waited to see what Kat's reaction would be, but there was none--or at least, there wasn't one visible, which was all that mattered. Again, that fit Francesca's assessment that the girl or her family was in narrow financial straits. Presumably money was needed badly enough that the source didn't matter. Which also, of course, explained why the girl would be running cargo for the Strega--who were hardly in good odor with the authorities, especially these days.

  "I haven't eaten yet--" Francesca began. She wasn't really that hungry, but the girl was so obviously tense that Francesca thought it would be wise to allow her time to settle down. And retreat to a less visible location.

  Sure enough: "I have, so why don't you go get something and meet me at my boat? We can talk there while you eat." Kat softened this slightly brusque response with a smile. "I'd . . . rather not stay out in the open. And your time is probably short anyway."

  Francesca nodded and made her way to the stall to purchase the pastry while the girl retreated to her boat.

  When Francesca was seated in the gondola, Kat waited politely while she took the edge from her hunger. "I understand there are some things you need?" Kat asked. Hurriedly: "But I have to tell you in advance that I only handle high-priced items. High-priced and low volume. I'm sorry if that's not what you're looking for--Donatella was not clear about it--but that's all I can handle. I need--"

  She fell silent, apparently unwilling to elaborate. In her own mind, Francesca filled in the rest: I need to generate a lot of money quickly, with only my own labor and this little gondola. Francesca had to force herself not to show any signs of glee. Perfect! The girl was from the Venetian elite. Probably, in fact, nothing less than Case Vecchie.

  "I'm not really looking to buy, Kat," she said easily. "Although there are some items I could use. Mainly, I want to set up a conduit through which I can sell information--"

  She hurried on, seeing the frown already gathering on Kat's face. "--not for cash, but for . . . ah, some assistance in a delicate matter of my own advancement."

  The fact that Francesca wasn't asking for cash--which Kat was obviously in desperate shortage of herself--caused a momentary fading of the frown. But, soon enough, it returned.

  "What kind of information? And I'm not sure how I might be able to help your 'advancement.' " A bit mulishly: "I don't have any cash to spend."

  Francesca understood that she had to edge away from triggering the girl's uneasiness on the subject of her own identity. The easiest way to do that, of course, was to focus Kat's attention on Francesca's. So, bluntly and briefly, Francesca explained the exact nature of her profession--and, most important, her plans for professional advancement.

  When she was done, she waited for Kat's reaction. Driving both her fears and her hopes under, and sternly. The girl would do whatever she would do. Whatever else Francesca had learned in her life, a stoic outlook was central to all of it.

  For a time, Kat was silent. Her hooded eyes left Francesca and simply stared out over the waters of the canal. Then, to Francesca's relief, the girl's shoulders moved in a little shrugging gesture and she turned back to face her. Francesca was a bit surprised to see that the expression on Kat's face was one of disguised interest--almost fascination--rather than disguised revulsion. For the first time, she felt herself start warming to the girl. Whatever great house she belonged to, it was clear enough that Kat did not possess the typical noblewoman's haughtiness toward her social inferiors. Most girls from Venice's elite--especially from the Case Vecchie, which Francesca was now almost certain was true of Kat--would have been sneering at her. Indeed, would already be ordering her to depart their presence.

  "I'd like to help, Francesca. But I'm really not sure the kind of information you could provide me would be enough of a help for me to spend the time at it. It depends, I guess, on what you want in return."

  Francesca smiled. "I think you'll be surprised at how useful the information I'll be providing you will be. After I'm situated in Casa Louise, of course. The information I could provide you right now wouldn't be all that useful, I admit. Except . . ." She gave Kat a level gaze. "Even now, I could provide you with quite extensive information on the movements of the Schiopettieri. Several of their captains are regular customers of mine."

  For a moment, Kat's face froze. Then, suddenly, the girl choked out a little laugh. "That'd be something! Ha!" She smiled. "All right. That's enough for me to gamble a little. Whether it goes any further . . . we'll see. You mentioned a few 'items' you could use. What are they?"

  "A gown, perhaps more than one, a cloak, and accessories," replied Francesca. "Something--impressive, but not showy. Not the sort of thing that I would be able to purchase for myself, as I am now."

  Kat nodded. "I think I know what you mean. Case Vecchie impressive. Would you object to something old, but newly remade?"

  Francesca and Kat exchanged the conspiratorial smiles universal to every pair of Women Discussing Wardrobe. Something about this girl was striking a chord with her, and she could sense that Kat felt the same way. "You have anticipated exactly what I was going to ask for. As I explained, I am about to undertake a change in status, and for that . . ."

  The two of them discussed gowns and undergowns, fabrics and colors for nearly half an hour. Kat, it seemed, knew both a seamstress and someone who was close in size to Francesca--and with the latest mode in laced gowns, a perfect fit was easy to attain provided the size was close.

  When they were done, Kat hesitated, her face tightening a bit. Understanding the awkwardness, Francesca immediately said: "I'm quite willing to pay for these items, Kat. In cash."

  It was Francesca's turn to hesitate. The kind of clothing she needed was extremely expensive; more than she could possibly afford to buy new. To make the right impression she had to obtain the finest quality silk clothing. That kind of silk cost between two and ten ducats an ell, and it would take roughly ten ells to make a single gown. Even used, she doubted she could find anything for less than twenty ducats--and that, in all likelihood, would be a hand-me-down for poor relations with all of the trimmings, beads, embroidery, and buttons removed. Which would be useless to her. Whatever else, Francesca could not afford to look like a "hand-me-down" of any kind. A courtesan had to seem, in every respect, as if she belonged to the elite herself and was not a street whore with delusions of grandeur. Few of her prospective patrons would really be fooled by the illusion, but the illusion was nevertheless essential--in order for them to maintain face.

  And, there was this also . . . Now that Francesca had made this initial contact with Kat, she realized that maintaining the liaison could of great value to her in the future. Francesca was sure that Kat came from an upper-crust family--curti at the very least. An elite house which had fallen on hard times, but still retained its social glamour. That was the reason, obviously, Kat was so careful to remain incognito. In Venice's complex and sometimes deadly social dance, losing face was as dangerous to such a family as losing money--more so, in many ways.

  Which meant, in turn . . . Francesca managed not to wince openly. What it meant was that Kat's surreptitious "gray labor" re
quired significant financial returns, or it simply wasn't worth the doing. There was no way the girl would agree to help unless Francesca was willing to part with--

  This time, she was unable to completely prevent the wince from showing. Everything I've saved up--that's what it'll cost me.

  But it was Kat, this time, who bridged the awkwardness. Smiling: "What can you afford, Francesca? As long as it's enough not to, ah, embarrass me . . ." She chuckled a bit nastily. "The truth is my greedy sister-in-law would eventually grab everything from my mother's wardrobe anyway. I'd just as soon you get some of those items instead of her."

  Kat named a price, a better one than Francesca expected. Better enough, in fact, that she could afford a few extras. There was a little bargaining, and the arrangement was concluded. The transaction would still take practically every ducat Francesca had managed to save up, but it was well worth it. With that wardrobe, she could saunter confidently into any salon in Venice, including a soiree at the Doge's palace.

  The remaining arrangements were settled quickly. The first gown--the one she would need for her interview with the Madame of Casa Louise--would be ready within a day, and the rest within three. If Casa Louise accepted her, Francesca would have the remaining gowns sent there, to await her arrival. That was fast work, but if this seamstress was as expert as Kat claimed, it would be no great task for her to remake gowns in an older mode--perhaps a matter of new trim, adding the side-lacings, re-dyeing. As earnest, Francesca handed over half the agreed-upon price, and Kat generously offered to pole her to the Red Cat--or near it, anyway.

  By the time they reached the Red Cat, Francesca sensed that the younger woman wanted to be friends, not simply business associates. That astonished her even as it warmed her heart. The knowledge was a bit of a treasure, even leaving aside the obvious advantage it would provide Francesca at a later time.

  "When we need to meet again, where can I send word?" she asked, as she got gracefully out of the gondola without assistance, which was no mean feat.

  Kat hesitated a moment. "Donatella can always find me," she said at last.

  Not quite willing to trust me yet. Or else she's afraid her family will find out what she's been doing. If she was the sole support of an Old Family, they would not necessarily want to know what turns she was making to keep them solvent. Having a summons come from a house of whores would certainly change that situation.

  "Excellent. And thank you," Francesca replied. "I will be waiting eagerly to see the results of our bargain."

  "By Wednesday afternoon," Kat promised, and pushed off. Francesca turned and walked sinuously back to the door of the Red Cat.

  There. That went much better than I'd even hoped, she thought, blithely greeting Fernando on her way to her own room. Next, the interview with the Madame at Casa Louise.

  But before that, a full night at the Red Cat. She licked her lips and tasted garlic.

  I had better go rinse out my mouth.

  Chapter 12 ==========

  A piece of plaster bounced off Marco's nose, accompanied by a series of rhythmic thuds from overhead. By that sure token he knew, despite the utter darkness of his "bedroom," that dawn was just beginning.

  He reached over his head and knocked twice on the wall. He was answered by a muffled curse and the pounding of Benito's answer. He grinned to himself, and began groping after his clothing.

  Thudathudathudathuda--pause--(Marco braced himself)--thud. A series of plaster flakes rained down. A professional dance-troupe had the studio above their "apartment" from dawn to the noon bells. From noon till dusk it was given over to classes--noisier, but less inclined to great leaps that brought the ceiling down. From dark to midnight the thuds were less frequent. The groans muffled.

  Nobody around the Campo dell'Anconeta talked about what went on then, and nobody watched to see who went in and out. Marco knew, though; at least what they looked like. Thanks to Benito's irrepressible curiosity, they'd both done some balcony climbing and window-peering one night. A dozen or so hard-faced men and women had been there; and it wasn't dancing they were doing. It was some kind of battle training, and all of them were very, very good. Who they were, why they were there, why they were practicing in secret, was still a mystery. Marco smelled "fanatic" on them, of whatever ilk, and kept clear of them.

  Then, from the midnight bell until dawn, Claudia's old acting troupe had the run of the place. That meant less ceiling-thumping--but a lot of shouting. ("Elena deary, do you think you might pay less attention to Kristo's legs and a little more to your lines? All right children, one more time, from the top . . .")

  Marco had learned to sleep through it all, though noise generally made him nervous. It was friendly shouting, for all the mock-hysterics.

  Being directly below the studio was one reason why this place, technically a three-room apartment--a room and two closets, more like--was cheap enough for two kids to afford. Now Marco hurried to pull on his pants and shirt in the black of his cubbyhole bedroom, wanting to be out of it before the other reason evidenced itself. Because the other reason was due to start up any minute now--

  Right on time, a hideous clanking and banging shook the far wall. Marco pulled open his door and crossed the "living room," the worn boards soft and warm under his bare feet. He stood blinking for a moment in the light from their lamp; after pitchy dark it was painfully bright even turned down to almost nothing. He reached and turned the wick key, and the odor of cheap last-press olive oil assaulted his nose until it flared up. Then he unlocked the outer door and slipped down the hall to the big ewers and garderobe shared by most of the apartments on this level. That incredible ruckus was the Rio San Marcoula boatyard. It started about dawn, and kept it up till the late afternoon, and sometimes later. There was another apartment between them and the repair shop, but it didn't provide much in the way of sound-baffling. Fortunately for him, the tenant of that place was deaf.

  Benito still hadn't turned out by the time Marco got back, so he pulled open the door to the other "bedroom" (just big enough for a wall-hung bunk and a couple of hooks for clothes, identical to Marco's) and hauled him out by the foot. There was a brief, laughing tussle, which Marco won by virtue of his age and size, and Benito betook himself off to get clean.

  There weren't any windows in their home, so there was always the oil lamp burning up on the wall. The lamp was a curious blend of cast-off and makeshift; the brass container had once been good, and still could be polished to a soft golden gleam. The multiple round wicks were scrounged. The lamp came with the place. So did the cast-iron grate in the fireplace. The fireplace smoked, but provided some heat in winter--when they could find fuel--and something to cook on. The "main" room was small, but it was still bigger than both the "bedrooms" put together. All of it was bare wooden-floored and sooty-walled, but warm and without drafts; and it was too many floors beneath the roof to get leaks when it rained. On the wall opposite the oil lamp and next to the stove was a tiny fired-clay basin and an ewer of safe water from the rainwater cisterns. Everything else was theirs, and compared to the little Marco had owned in the swamp or what Benito had had in the attic he'd been hiding in, it was paradisiacal.

  They now boasted a couple of cushions to sit on, a vermin-proof cupboard for food--and even a second cupboard for storage, which currently held two tin plates, two mugs, two spoons, a skillet and a battered saucepan, and assorted odds and ends. They also owned their bedding and three changes of clothing each, as well as a precious box of half a dozen or so battered, dirty, and mostly coverless books. The last were Marco's property. Some he had bought at secondhand stores, like the precious anatomy book, much in demand with medical students. Some were gifts from Claudia, a few from Benito. He knew the ones that Benito gave him had been stolen, and he suspected the same of Claudia's. But a book was a book, and he wasn't going to argue about its source.

  All that hadn't come out of nowhere. Word had gone quietly upriver with a Ventuccio barge that Marco and Benito still lived--and a specia
l verbal message had gone to Duke Dell'este from Marco as to why they weren't coming home again. Back down again, just as quietly, had come a bit of real coin--not so much as to call attention to the recipient, but enough to set them up comfortably.

  With the coin had come another verbal message to Marco from his grandfather. "You salvage our Honor," was all it had said--and Marco nearly cried.

  Grandfather had clearly felt that his mother Lorendana had befouled the Family honor by her activities with the Milanese. He had said as much when he sent them into exile. There was honor, and there was Dell'este and Valdosta honor, which had been something special for many hundreds of years. Dell'este honor was famous throughout Italy. And the Valdosta were not just Case Vecchie. They were Case Vecchie Longi. One of the old families; one of the oldest families. One that claimed to have already been living here in the marshes when Holy Saint Mark was greeted by an angel in the form of the winged lion. All Venice knew how dearly the Valdosta Casa held their honor.

  That upright stiff old man of Marco's earliest memories had sent those few words and that parcel of coin. To do even that, he must have felt Marco had redeemed what Lorendana had besmirched--at least as far as the Dell'este were concerned.