Satanic, Versus [Diana Tregarde series] Read online

  * * *

  Marion Zimmer Bradley Literary Works Trust

  www.mzbworks.com

  Copyright ©1990 by Mercedes Lackey

  First published in Marion Zimmer Bradley's Fantasy Magazine, issue 10, 1990

  * * *

  NOTICE: This work is copyrighted. It is licensed only for use by the original purchaser. Making copies of this work or distributing it to any unauthorized person by any means, including without limit email, floppy disk, file transfer, paper print out, or any other method constitutes a violation of International copyright law and subjects the violator to severe fines or imprisonment.

  * * *

  Satanic, Versus

  Mercedes Lackey

  "Mrs. Peel,” intoned a suave, urbane tenor voice from the hotel doorway behind Di Tregarde, “we're needed."

  The accent was faintly French rather than English, but the inflection was dead-on.

  Di didn't bother to look in the mirror, although she knew there would be a reflection there. Andre LeBrel might be a two-hundred-year-old vampire, but he cast a perfectly good reflection. She was busy trying to get her false eyelashes to stick.

  "In a minute, lover. The glue won't hold. I can't understand it—I bought the stuff last year for that unicorn costume and it was fine then—"

  "Allow me.” A thin, graceful hand appeared over her shoulder, holding a tiny tube of surgical adhesive. “I had the sinking feeling that you would forget. This glue, chérie, it does not age well."

  "Piffle. Figure a backstage haunt would know that.” She took the white plastic tube from Andre and proceeded to attach the pesky lashes properly. This time they obliged by staying put. She finished her preparations with a quick application of liner and spun around to face her partner. “Here,” she said, posing, feeling more than a little smug about how well the black leather jumpsuit fit. “How do I look?"

  Andre cocked his bowler to the side and leaned on his umbrella. “Ravishing. And I?” His dark eyes twinkled merrily.

  Although he looked a great deal more like Timothy Dalton than Patrick McNee, anyone seeing the two of them together would have no doubt who he was supposed to be costumed as. Di was very glad they had a “pair” costume, and blessed Andre's infatuation with old TV shows.

  And they are going to see us together all the time, Di told herself firmly. Why I ever agreed to this fiasco...

  "You look altogether too good to make me feel comfortable,” she told him, snapping off the light over the mirror. “I hope you realize what you're letting yourself in for. You're going to think you're a drumstick in a pool of piranha."

  Andre made a face as he followed her into the hotel room from the dressing alcove. “Chérie, these are only romance writers. They—"

  "Are for the most part overimaginative middle-aged hausfraus, married to guys that are growing thin on top and thick on the bottom, and you're likely going to be one of a handful of males in the room. And the rest are going to be middle-aged copies of their husbands, agents, or gay.” She raised an eyebrow at him. “So where do you think that leaves you?"

  "Like Old Man Kangaroo, very much run after.” He had the audacity to laugh at her. “Have no fear, chérie. I shall evade the sharp little piranha teeth."

  "I just hope I can,” she muttered under her breath. Under most circumstances she avoided Romance Writers of the World functions like the plague, chucked the newsletter in the garbage without reading it, and paid her dues only because Morrie pointed out that it would look really strange if she didn't belong. The RWW, she found, was a hotbed of infighting and jealousy, and “my advances are bigger than your advances, so I am writing Deathless Prose and you are writing tripe.” The general attitude seemed to be that “the publishers are out to get you, the agents are out to get you, and your fellow writers are out to get you.” Since Di got along perfectly well with agent and publishers, and really didn't care how well or how poorly other writers were doing, she didn't see the point.

  But somehow Morrie had talked her into attending the RWW Halloween party. And for the life of her, she couldn't remember why or how.

  "Why am I doing this?” she asked Andre as she snatched up her purse from the beige-draped bed, transferred everything really necessary into a black leather belt pouch, and slung the latter around her hips, making very sure the belt didn't interfere with the holster on her other hip. “You were the one who talked to Morrie on the phone."

  "Because M'sieur Morrie wishes you to give his client Robert Harrison someone to talk to,” the vampire reminded her. “M'sieur Harrison agreed to escort Valentine Vervain to the party in a moment of weakness equal to yours."

  "Why in Hades did he agree to that?” she exclaimed, giving the sable-haired vampire a look of profound astonishment.

  "Because Miss Vervain—chérie, that is not her real name, is it?—is one of Morrie's best clients, is newly divorced and alone, and Morrie claims most insecure, and M'sieur Harrison was kind to her,” Andre replied.

  Di took a quick look around the hotel room, to make sure she hadn't forgotten anything. One thing about combining her annual “make nice with the publishers” trip with Halloween, she had a chance to get together with all her old New York buddies for a real Samhain celebration, and avoid the Christmas and Thanksgiving crowds and bad weather. “I remember. That was when she did that crossover thing, and the sf people took her apart for trying to claim it was the best thing since Tolkien.” She chuckled heartlessly. “The less said about that, the better. Her magic system had holes I could drive a Mack truck through. But Harrison was a gentleman and kept the bloodshed to a minimum. But Morrie doesn't know Valentine—and no, sexy, her name used to be Edith Bowman until she changed it legally—if he thinks she's as insecure as she's acting. Three quarters of what La Valentine does is an act. And everything is in Technicolor and Dolby-enhanced sound. So what's Harrison doing in town?"

  She snatched up the key from the desk, and stuffed it into the pouch, as Andre held the door open for her.

  "I do not know,” he replied, twirling the umbrella once and waving her past. “You should ask him."

  "I hope Valentine doesn't eat him alive,” she said, striding down the beige hall, and frankly enjoying the appreciative look a hotel room-service clerk gave her as she sauntered by. “I wonder if she's going to wear the outfit from the cover of her last book—if she does, Harrison may decide he wants to spend the rest of the party in the men's room.” She reached the end of the hall a fraction of a second before Andre, and punched the button for the elevator.

  "I gather that is what we are to save him from, chérie,” Andre pointed out wryly as the elevator arrived.

  "Oh, well,” she sighed, stepping into the mirror-walled cubicle. “It's only five hours, and it can't be that bad. How much trouble can a bunch of romance writers get into, anyway?"

  * * * *

  There was enough lace, chiffon, and satin to outfit an entire Busby Berkeley musical. Di counted fifteen Harem Girls, nine Vampire Victims, three Southern Belles (the South was Out this year), a round dozen Ravished Maidens of various time periods (none of them peasants) and assorted frills and furbelows, and one “witch” in a black chiffon outfit clearly purchased from the Frederick's catalog. Aside from the “witch,” she and Andre were the only ones dressed in black—and they were the only ones covered from neck to toes—though in Di's case, that was problematical; the tight black leather jumpsuit really didn't leave anything to the imagination.

  The Avengers outfits had been Andre's idea, when she realized she really had agreed to go to this party. She had suggested Dracula for him and a witch for her—but he had pointed out, logically, that there was no point in
coming as what they really were.

  Besides, I've always wanted to get a black leather jumpsuit, and this made a good excuse to get it. And since I'm doing this as a favor to Morrie, I might be able to deduct it.

  And even if I can't, the looks I'm getting are worth twice the price.

  Most of the women here—and as she'd warned Andre, the suite at the Henley Palace that RWW had rented for this bash contained about eighty percent women—were in their forties at best. Most of them demonstrated amply the problems with having a sedentary job. And most of them were wearing outfits that might have been worn by their favorite heroines; though few of them went to the extent that Valentine Vervain did, of copying the exact dress from the cover of her latest book. The problem was, their heroines were all no older than twenty-two and, as described, weighed maybe ninety-five pounds. Since a great many of the ladies in question weighed at least half again that, the results were not what the wearers intended.

  The sour looks Di was getting were just as flattering as the wolf whistle the bellboy had sent her way.

  A quick sail through the five rooms of the suite with Andre at her side ascertained that Valentine and her escort had not yet arrived. A quick glance at Andre's face proved that he was having a very difficult time restraining his mirth. She decided then that discretion was definitely the better part of valor, and retired to the balcony with Andre and a couple of glasses of Perrier.

  It was a beautiful night; one of those rare late October nights that made Di regret—briefly—moving to Connecticut. Clear, cool, and crisp, with just enough wind to sweep the effluvium of city life from the streets. Below them, hundreds of lights created a jewel-box effect. If you looked hard, you could even see a few stars beyond the light haze.

  The sliding-glass door to the balcony had been opened to vent some of the heat and overwhelming perfume (Di's nose said, nothing under a hundred dollars a bottle), and Di left it that way. She parked her elbows on the balcony railing, looked down, and sighed.

  Andre chuckled. “You warned me, and I did not believe. I apologize, chérie. It is—most remarkable."

  "Hmm. Exercise that vampiric hearing of yours, and you'll get an earful,” she said, watching the car lights crawl by, twenty stories below. “When they aren't slaughtering each other and playing little power-trip games, they're picking apart their agents and their editors. If you've ever wondered why I've never bothered going after the big money, it's because to get it I'd have to play by those rules."

  "Then I devoutly urge you to remain with the modest ambitions, chérie,” he said fervently. “I—"

  "Excuse me?” said a masculine voice from the balcony door. It had a distinct note of desperation in it. “Are you Diana Tregarde?"

  Di turned. Behind her, peering around the edge of the doorway, was a harried-looking fellow in a baggy, tweedy sweater and slacks—not a costume—with a shock of prematurely graying, sandy-brown hair, glasses, and a mustache. And a look of absolute misery.

  "Robert Harrison, I presume?” she said archly. “Come, join us in the sanctuary. It's too cold out here for chiffon."

  "Thank God.” Harrison ducked onto the balcony with the agility of a man evading Iraqi border guards and threw himself down in an aluminum patio chair out of sight of the windows. “I think the password is, ‘Morrie sent me.’”

  "Recognized; pass, friend. Give the man credit; he gave you an ally and an escape route,” Di chuckled. “Don't tell me; she showed up as the Sacred Priestess Askenazy."

  "In a nine-foot chiffon train and see-through harem pants, yes,” Harrison groaned. “And let me know I was Out of the Royal Favor for not dressing as What's-His-Name."

  "Watirion,” Di said helpfully. “Do you realize you can pronounce that as ‘what-tire-iron'? I encourage the notion."

  "But that wasn't the worst of it!” Harrison shook his head distractedly, as if somewhat in a daze. “The worst was the monologue in the cab on the way over here. Every other word was Crystal this and Vibration that. Past Life Regression, and Mystic Rituals. The woman's a whoopie witch!"

  Di blinked. That was a new one on her. “A what?"

  Harrison looked up, and for the first time seemed to see her. “Uh—” He hesitated. “Uh, some of what Morrie said—uh, he seemed to think you—well, you've seen things—uh, he said you know things—"

  She fished the pentagram out from under the neck of her jumpsuit and flashed it briefly. “My religion is nontraditional, yes, and there are more things in heaven and earth, et cetera. Now what in Tophet is a whoopie witch?"

  "It's—uh—a term some friends of mine use. It's kind of hard to explain.” Harrison's brow furrowed. “Look, let me give you examples. Real witches have grimoires, sometimes handed down through their families for centuries. Whoopie witches have books they picked up at the supermarket. Usually right at the checkout counter."

  "Real witches have carefully researched spells—” Di prompted.

  "Whoopie witches draw a baseball diamond in chalk on the living-room floor and recite random passages from the Satanic Bible."

  "When real witches make substitutions, they do so knowing the exact differences the substitute will make—"

  "Whoopie witches slop taco sauce in their pentagram because it looks like blood."

  "Real witches gather their ingredients by hand—” Di was beginning to enjoy this game.

  "Whoopie witches have a credit card, and lots of catalogues.” Harrison was grinning, and so was Andre.

  "Real witches spend hours in meditation—"

  "Whoopie witches sit under a pyramid they ordered from a catalogue and watch Knott's Landing."

  "Real witches cast spells knowing that any change they make in someone's life will come back at them threefold, for good or ill—"

  "Whoopie witches call up the Hideous Slime from Yosotha to eat their neighbor's poodle because the bitch got the last carton of Haagen-Dazs double-chocolate at the 7-Eleven."

  "I think I've got the picture. So dear Val decided to take the so-called research she did for the Great Fantasy Novel seriously?” Di leaned back into the railing and laughed. “Oh, Robert, I pity you! Did she try to tell you that the two of you just must have been priestly lovers in a past life in Atlantis?"

  "Lemuria,” Harrison said gloomily. “My God, she must be supporting half the crystal miners in Arkansas."

  "Don't feel too sorry for her, Robert,” Di warned him. “With her advances, she can afford it. And I know some perfectly nice people in Arkansas who should only soak her for every penny they can get. Change the subject; you're safe with us—and if she decides to hit the punch bowl hard enough, you can send her back to her hotel in a cab and she'll never know the difference. What brings you to New York?"

  "Morrie wants me to meet the new editors at Berkley; he thinks I've got a shot at selling them that near-space series I've been dying to do. And I had some people here in the city I really needed to see.” He sighed. “And, I'll admit it, I'd been thinking about writing bodice-rippers under a pseudonym. When you know they're getting ten times what I am—"

  Di shrugged. “I don't think you'd be happy doing it, unless you've written strictly to spec before. There are a lot of things you have to conform to that you might not feel comfortable doing. Listen, Harrison, you seem to know quite a bit about hot-and-cold-running esoterica—how did you—?"

  Someone inside one of the other rooms screamed. Not the angry scream of a woman who had been insulted, but the soul-chilling shriek of pure terror that brands itself on the air and stops all conversation dead.

  "What in—?” Harrison was on his feet, staring in the direction of the scream. Di ignored him and launched herself at the patio door, pulling the Glock-19 from the holster on her hip, and thankful she'd loaded silver-tipped bullets in the first clip.

  Funny how everybody thought it couldn't be real because it was plastic...

  "Andre—the next balcony!” she called over her shoulder, knowing the vampire could easily scramble over the concrete
divider and come in through the next patio door, giving them a two-pronged angle of attack.

  The scream hadn't been what alerted her—simultaneous with the scream had been the wrenching feeling in her gut that was the signal that someone had breached the fabric of the Otherworld in her presence. She didn't know who, or what—but from the stream of panicked chiffon billowing toward the door at supersonic speed, it probably wasn't nice, and it probably had a great deal to do with one of the party-goers.

  Three amply endowed females (one Belle, one Ravished, one Harem) had reached the door to the next room at the same moment and jammed it, and rather than one of them pulling free, all three kept shoving harder, shrieking at the tops of their lungs in tones their agents surely recognized.

  You ‘d think their advances failed to pay out! Di kept the Glock in her hand, but sprinted for the door. She grabbed the nearest flailing arm (Harem), planted her foot in the midsection of her neighbor (Belle), and shoved and pulled at the same time. The clot of feminine hysteria came loose with a sound of ripping cloth as a crinoline parted company with its wearer. The three women tumbled through the door, giving Di a clear launching path into the next room. She took it, diving for the shelter of a huge wooden coffee table, rolling, and aiming for the door of the last room with the Glock. And her elbow hit someone.

  "What are you doing here?” asked Harrison and Di simultaneously. Harrison cowered—no, had taken cover, there was a distinct difference—behind the sofa, beside the coffee table, his own huge Magnum aimed at the same doorway.

  "My job,” they said—also simultaneously.

  "What?” (Again in chorus.)

  "This is all a very amusing study in synchronicity,” said Andre, crouching just behind Harrison, bowler tipped, the sword from his umbrella out and ready. “But I suggest you both pay attention to that most boorish party-crasher over there—"

  Something very large occluded the light for a moment in the next room. Then the lights went out, and Di distinctly heard the sound of the chandelier being torn from the ceiling and thrown against the wall. Di winced. There go my dues up again.