Lark and Wren Read online

  Part of her said not to trust this man-here he was a stranger, and offering to share his hospitality with another stranger-

  But the rest of her thought-what could he possibly do to her? He was old, he moved slowly; he couldn't possibly out-wrestle her in a bad situation. Where was the harm in indulging him?

  And there was more of Raven's advice. If you find yourself with someone who cares for his instruments, no matter how old, or how plain-or even how cheap-you can trust him. He's a man who knows that all value isn't on the surface. And he may have some of that hidden value himself.

  "I'd like that, sir," she said, finally. But he had already raised his tiny counter on the hinges at one side, and was motioning her through as if he had never expected she would do anything other than accept. She pushed the curtains aside, hesitantly, and found herself in another narrow room, with a staircase at the farther end leading up to a loft. This room was just as crowded as the shop. There was a stove with a tiny fire in it, with a kettle atop; a broken-down bed that seemed to be in use as seating, since it was covered with worn-out cushions in a rainbow of faded materials. There seemed to be more furniture up in the loft, but the shadows up there were so thick that it was hard to see.

  Besides the bed, there was a basin and ewer on a stand, a couple of tables piled with books, two chairs, and a kitchen-cupboard next to the stove. Everything stood within inches of the furniture beside it. There wasn't any possible way one more piece of furniture could have been crammed in here.

  Rune took a seat on one of the chairs, placing her pack and Lady Rose at her feet. The only light came from a window at the rear of the room, below the loft, covered in oiled paper; and from a lantern on the table beside her.

  There was a thump, as of heavy shutters closing, the door-bell jangled, and then a scraping sound of wood on wood came to her ears as the old man pushed the bar into place across his shutters. A moment later, he pushed aside the curtains and limped into the room.

  Instead of speaking, he went straight to the stove at the rear and took a kettle off the top, pouring hot water into a cracked teapot that was missing its lid and stood on the shelf of the kitchen-cupboard beside him. He brought the pot and a pair of mugs with him, on a tarnished tray, which he sat down on the table beside her, next to the lamp, pushing the books onto the floor to make room for the tray.

  "Now," he said, taking the other chair, "My name's Tonno. Yours, you said, is Rune, as I believe. While we wait for the herbs to steep, why don't you tell me about yourself? You're obviously not from Nolton, and your accent sounds as if you're from-hmm-Beeford, or thereabouts?"

  She nodded, startled.

  He chuckled and smiled, a smile that turned his face into a spiderweb of tiny lines, yet made him look immensely cheerful. "So, how is it that a young lady like you finds herself so far from home, and alone?"

  She found herself telling him everything, for somehow his questions coaxed it all out of her; from the bare facts, to how she had managed to come here, to her desire for a place in the Guild. As the light beyond the oiled paper dimmed, and her confidence in him grew, she even told him about the Ghost, and her secret hoard of coins. Somehow she felt she could trust him even with that, and he wouldn't betray her trust.

  He pursed his lips over that. "Have you told anyone else about this?" he asked sternly. She shook her head. "Good. Don't. The Church would either take a lion's share, or confiscate it all as coming from demons. I'll give you a choice; either you can keep them hidden and safe, or you can give them to me, and I'll provide you with that instrument you want and a year's worth of lessons-and give you whatever's left over, but I'll have it all changed into smaller coins. Smaller coins won't call attention to you the way silver would. I can probably manage that just on what I've saved."

  She thought about that; thought about how easy it would be for the money to just trickle away, without her ever getting the lessons or the instrument. If she paid him now-

  "This won't be just lessons in learning tunes, mind," Tonno said abruptly. "I'll teach you reading music, and writing it-you'll have the freedom to read any book in this shop, and I'll expect you to read one a week. I'm a hard teacher, but a fair one."

  She nodded; this was more than she had expected.

  "Can you play me a tune on that little fiddle of yours?" he asked-and once again, Rune took her lady from her case, and tuned her. This time, with care-for Tonno was a fellow musician, and she wanted to give him her very best.

  She played him three pieces; a love song, a jig, and one of the strange Gypsy tunes that Nightingale had taught her. The last seemed to fill the shadows of the room with life, and turn them into things not properly of the waking world. It wasn't frightening, but it was certainly uncanny. She finished it with gooseflesh crawling up her arms, despite the fact that she had played the tune herself.

  When she'd finished, Tonno sighed, and his eyes were a little melancholy. "I'll tell you something else," the old man said, slowly, "and I'm not ashamed to admit it, not after listening to you. I'm no better than a talented amateur. I knew better than to try and make a living at music, but I promise you that I know how to play every instrument in this shop, and I'm quite good enough to give you basic lessons. And believe me, child, if you've learned this much on your own, basic lessons in a new instrument, the ways of reading and writing the tunes you surely have in your head, and all the education you'll get from reading whatever you can get your hands on for the next year will be all that you need." He shook his head again. "After that you'll need more expert help than that, and I can probably find someone to give it to you. But I don't think that you'll need it for at least a year, and tell the truth, I wonder if some people who heard you now might not hold you back out of jealousy to keep you from outstripping them. When you get beyond me, I can send you out to others for special lessons, but until then-"

  She let out the breath she'd been holding in a sigh.

  "Can we chose an instrument now, sir?" she asked. "I'd like to make this a firm bargain."

  They picked out a delicate little lute for her; she fell in love with its tone, and decided against the harp that Tonno thought might suit her voice better. Besides, the lute only had four strings; it would be easier to tune and keep tuned in the uncertain climes a traveling musician was likely to encounter. They agreed on a price for it and the year of lessons, and Rune retired behind a screen to take off her belt of silver coins. She knew she had spent a lot getting to Nolton; even augmenting her cash with playing on the road, the coins had been spent a lot faster than she'd liked. There was some left when they got through reckoning up how much three hours of lessons every day for a year would cost. Not much, but some. She could go ahead and buy her permit; and she would have a hedge against a lean spell.

  When the commercial exchange had been accomplished, an awkward silence sprang up between them. She coughed a little, and bit her lip, wondering what to say next.

  "I probably should go," she said, finally. "It's getting darker, and I've taken up too much of your time as it is. I'll come about the same time tomorrow for my first lesson-"

  "Now what are your plans?" he asked, interrupting her. "Never mind what you're going to do tomorrow, what are you planning on doing tonight? You don't know the city-you could get yourself in a bad area, wandering about."

  "I need a place to live," she said, now uncertain. Daylight was long spent, and she wasn't certain if those who took in lodgers would open their doors to a stranger after dark.

  "What about a place to earn your keep?" he asked. "Or part of it, anyway-I-know someone looking for a musician. She could offer you a good room in exchange for playing part of the night. Possibly even a meal as well."

  There was something about his manner that made her think there was a great deal more about the place than he was telling her, and she said as much.

  He nodded, reluctantly. "It's a public house-a real one, but a small one. In part. And-well, the rest I'd rather Amber told you herself. If you want to
go talk to her."

  Tonno's diffident manner convinced her that there was something odd going on, but she couldn't put her finger on what it was. She frowned a little.

  He shrugged, helplessly. "It's only a few blocks away," he said. "And it's in the area where there are a lot of-places of entertainment. If you don't like Amber, or she doesn't like you, you can try somewhere else. That area is safe enough you could even busk on the street-corner and buy yourself a room when you have the two pence." He smiled apologetically. "I often go there for my dinner. I would be happy to walk you there, and introduce you to Amber."

  She thought about it; thought about it a long time. In the end, what decided her was Tonno's expression. It wasn't that of a man who was planning anything, or even that of a man who was trying to keep his plans hidden. It was the anxious look of someone who has a friend of dubious character that he likes very much-and wants his new friend to like as well.

  Rune was well enough acquainted with the way the world wagged to guess what Tonno's friend Amber was. A public house-"of sorts," hmm? A small one? That might be what it was below-stairs, but above . . .

  Amber probably has pretty girls who serve more than just beer and wine, I'd reckon.

  On the other hand, it couldn't hurt to go look. People who came to a whorehouse had money, and were ready to spend it. They might be willing to toss a little of it in the direction of a player. As long as Amber knew she was paying for the music, and not the musician.

  Besides, if there was one thing the Church Priests preached against, it was the sins of the flesh. It would ease the burden of having to pay the Priests their damned tithe knowing that the money came from something they so violently disapproved of.

  "All right," she said, standing up and catching Tonno by surprise. "I'll see this friend of yours. Let's go."

  And I can always say no, once I've met her.

  CHAPTER SEVEN

  In the streets of Nolton darkness was total, and at first the only light they had to show them their footing were the torches at the crossroads, and the occasional candle or rushlight in a window at street level. Tonno kept a brisk pace for such an old man; Rune had to admire him. It helped that he knew the way, of course, and she didn't. He kept pointing out landmarks as they passed-a building that dated back several hundred years, a place where some significant event in the history of the city had occurred, or the site of someone's birth or death. She would strain her eyes, and still see only one more shapeless bulk of a building, with a furtive light or two in the windows. Finally she gave up trying to see anything; she just nodded (foolish, since he wouldn't be able to see the nod), and made an appreciative grunt or a brief comment.

  The street Tonno led her to was not one she would have found on her own; it was reached only by passing through several other side streets, and the street itself was about a dozen houses long, and came to a dead end, culminating in a little circle with an ornamental fountain in the center of it. It was, however, very well lit, surprisingly so after the darkness of the streets around it; torches outside every door, and lanterns hanging in the windows of the first and second stories saw to that. There was an entire group of musicians and a dancer busking beside the fountain, and from the look of the money they'd collected on the little carpet in front of the drummer, the pickings were pretty good here. The fountain wasn't one of the noisy variety; it would be easy enough even for a single singer to be heard over it. A good place to put out a hat, it would seem.

  The musicians looked familiar, in the generic sense; finally she realized that they were dressed in the same gaudy fashion as the Gypsies the harpist Nightingale traveled with. If this "Amber" didn't prove out, perhaps she'd see if they'd let her join them. They didn't have a fiddler, and they might recognize Nightingale's name or description, and be willing to let her join them on the basis of a shared acquaintance.

  Most of the places on the circle itself were large, with three stories and lights in every window, sometimes strings of lanterns festooning the balconies on the second and third stories, as if it were a festival. There were people coming and going from them in a steady stream; men, mostly. And, mostly well-dressed. Whenever a door opened, Rune heard laughter and music for a moment, mingling with the music of the quartet by the fountain. There were women leaning over the balconies and out of the windows; most disheveled, most wearing only the briefest of clothing, tight-laced bodices and sleeveless under-shifts that fluttered like the drapes of the Ghost-

  She shivered for a moment with a chill, then resolutely put the memory out of her mind. There was no Ghost here-and anyway, he'd favored her, he hadn't harmed her.

  Sheer luck, whispered the voice of caution. She turned her attention stubbornly to her surroundings. Here was warmth and light and laughter, however artificial. There were no ghosts here.

  All of the women, she had to admit, were very attractive-at least from this distance. They flirted with fans, combed their hair with languid fingers, or sometimes called out to the men below with ribald jokes.

  She'd have to be a simpleton not to recognize what kind of a district this was. It might even be the same street Mathe had mentioned as a good place to busk at night. Her guise of a boy would probably keep her safely unmolested here-she'd seen no signs that these brothels catered to those whose tastes ran to anything other than women.

  But Tonno took her to a tiny place, just two stories tall, tucked in beneath the wings of the biggest building on the circle. There were lights in the windows, but no women hanging out of them, and no balcony at all, much less one festooned with willing ladies. The sign above the door said only, "Amber's." And when Tonno opened the door, there was no rush of light and sound. He invited Rune in with a wave of his hand, and she preceded him inside while he shut the door behind them.

  The very first thing she noticed were the lanterns; there was one on every table-and every table seemed to have at least one customer. So whatever this place was or did, it wasn't suffering from lack of business. The common room was half the size of the Bear's, but the difference was in more than size. Here, there were no backless benches, no trestle tables. Each square table was made of some kind of dark wood, and surrounding it were padded chairs, and there were padded booths with tables in them along the walls. The customers were eating real meals from real plates, with pewter mugs and forks to match. And the whiff Rune got of beef-gravy and savory was enough to make her stomach growl. She told it sternly to be quiet, promising it the bread and cheese still tucked into her pack. No matter what came of this meeting, she had a meal and the price of a room on her-and tomorrow would be another day to try her luck.

  She'd certainly been lucky today, so far. It was enough to make her believe in guardian spirits.

  Across the room, a woman presiding over a small desk beside a staircase saw them, smiled, and rose to greet them. She was middle-aged; probably a little older than Stara, and Rune couldn't help thinking that this was what Stara was trying to achieve with her paints and her low-cut bodices, and failing. Her tumbling russet curls were bound back in a style that looked careless, and probably took half an hour to achieve. Her heart-shaped face, with a wide, generous mouth, and huge eyes, seemed utterly ageless-but content with whatever age it happened to be, rather than being the face of a woman trying to hold off the years at any cost. The coloring of her complexion was so carelessly perfect that if Rune hadn't been looking for the signs, and seen the artfully painted shadows on lids and the perfect rose of the cheeks, she'd never have guessed the woman used cosmetics. Her dress, of a warm, rich brown, was of modest cut-but clung to her figure as if it had been molded to it, before falling in graceful folds to the floor.

  Any woman, presented with Stara and this woman Amber, when asked to pick out the trollop, would point without hesitation to Stara, ignoring the other entirely. And Rune sensed instinctively that any man, when asked which was the youngest, most nubile, attractive, would select Amber every time. The first impression of Amber was of generosity and happiness; th
e first impression of Stara was of discontent, petulance, and bitterness.

  She found herself smiling in spite of herself, and in spite of her determination not to let herself be charmed into something she would regret later.

  "Tonno!" Amber said, holding out both hands to him, as if he was the most important person in the world. He clasped them both, with a pleased smile on his lips, and she held them tightly. "I had given up on seeing you tonight! I am so pleased you decided to come after all! And who is this young lad?"

  She turned an inquiring smile on Rune that would likely have dazzled any real "lad," and yet was entirely free of artifice. It didn't seem designed to dazzle; rather, that the ability to dazzle was simply a part of Amber's personality.

  "Amber, this lass is my new pupil, Rune. And, I hope, is the musician you've been asking me to find." Tonno beamed at both of them, but the smile that he turned to Rune held a hint of desperation in it, as if he was begging Rune to like this woman.

  We'll see how she reacts to being told I'm a girl, first-if all she's interested in is what she can get out of someone, and she knows that as a woman I'm not as likely to be manipulated-

  "A lass!" Amber's smile didn't lose a bit of its brightness. In fact, if anything, it warmed a trifle. "Forgive me, Rune-I hope you'll take my mistake as a compliment to your disguise. It really is very effective! Was this a way to avoid trouble in public? If it is, I think you chose very well."

  Rune found herself blushing. "It seemed the safest way to travel," she temporized. "I never wore skirts except when I planned to stay at a hostel."

  "Clever," Amber replied with approval. "Very clever. Now what was this about your being a musician? I take it you have no place yet? Tonno, I thought you said she was your student-" She interrupted herself with a shake of her head. "Never mind. Let's discuss all this over food and drink, shall we?"