Born to Run Read online

  Hmm. Perhaps an Aztec theme for the next group. Wasn't there a sect where the sacrifice was first shared by all the participants?

  Aurilia busied herself with the rest of the set, checking the apparatus and the camera and sound set-ups, making certain that everything was in place for the shoot tomorrow. It was ironic that both the Unseleighe Court and the Seleighe Court had the same problem in dealing with the modern world. They both had to earn real money.

  Different motives, and different ends, but the same needs. For Aurilia, Vidal, and Niall, it was money to pay for the private detectives and to buy property. Money to buy arms to ship to both sides of a fight, be it a simple gang-war or full-fledged terrorism. Money to bribe officials, or those whose power was not official but no less real. True money from human hands, not magic-made duplicates, for the underworld was cannier than the rest of human society and would catch such tricks quickly. The underworld preferred bills in denominations of less than a hundred dollars; preferred old, worn money rather than newly printed. They would not accept money with sequential numbers. The time it would take to gather single, old bills and duplicate them, or to duplicate a single, old bill and make enough changes in it to make every copy look different, was better spent in ways that simply earned that amount of money.

  There are times in the humans' world when it is simpler and easier to do without magic.

  That had left Aurilia with a few problems of logistics, but nowhere near as many as her opponents were forced to cope with. The Seleighe Court fools limited their ways of earning cash to legitimate means. Fools they were, because "legitimate" and "constricted" were one and the same. And when one reduced one's options, one halved one's income.

  Anything illegal was far more profitable than anything legal. And, for all of its difficulties, moving and working in the shadow world of the underground was much simpler than coping with all the regulations and laws of the "honest citizen."

  Look at everything Keighvin had gone through to establish Fairgrove Industries, for instance. He'd created something that could function totally within human parameters, and yet leave the nonhumans free to work. Resourceful he was, indeed, and though she hated him passionately, Aurilia could admire that much about him.

  Whereas Adder's Fork had required only three things once Aurilia and Vidal had arrived at a plan; kenning an airplane and all the equipment they needed, making an underworld contact adept at forging records and getting their electronic copies into the proper systems, and installing a Gate into Underhill inside the plane.

  The plane, a C-130 cargo craft, had taken six months to duplicate and another to modify so that it no longer looked like the craft it had been copied from. The lines had been subtlely changed, and the color turned to a light blue that blended in very well with the open sky. Being able to work Underhill had helped; magical energy was much more readily available there. But they had not been able to create the craft exactly; in point of fact, there was no iron or steel anywhere in it, it had no engine, and never needed refueling on mortal aviation gas. That was both an advantage and a disadvantage. There was nothing to break down, and they could land and take off from anywhere, at any time, but they dared not let inspectors or anyone with more than a cursory knowledge of aircraft anywhere near it. That flaw made a dreadful hole in their defenses. Aurilia would have liked a real engine—but the Unseleighe Court shared their rivals' "allergy" to Cold Iron. How Keighvin and his crew could bear to work so near it was a mystery to her. And if they ever broke through the Fairgrove defenses, Cold Iron and humans wielding it would without a doubt be Keighvin's second line of defense. That was fine . . . she had a syringe of human blood with iron filings ready to inject into Keighvin when she had him. It would be very entertaining to watch his reactions to that.

  But for that single technical flaw—the authenticity of the aircraft—Adder's Fork was completely in the clear. Gold coins—kenned copies of genuine Krugerrands—had bought the records for plane and pilots, and had bought the human who inserted those records into the humans' computers. More coins, sold one at a time to dealers, had rented equipment long enough for Unseleighe Court mages to ken it. Aurilia had stock-piled many favors over the course of several hundred years; she cashed them all in on this venture.

  Then it had only required time. Time to reproduce complicated gear and make sure that it worked; time to build the studio Underhill. Time to make more contacts in the human underworld, offering the kind of product certain humans would literally bankrupt themselves to own.

  Adder's Fork did simple porn movies at first—well, relatively simple. All of their pictures had real, if unadorned, plots, and most involved the occult. And every Adder's Fork film involved pain, bondage, S and M; these things raised power, energy the humans never used, energy that would ordinarily have gone to waste, so in addition to bringing in human money, the filming itself was a potent source of power. The favors Aurilia had cashed in were quickly replaced by other favors owed as the denizens of Underhill vied to be in at the filming, acting either on Vidal's direction as camera operators or other technicians, or as extras, if they were attractive enough. Not every creature of the Unseleighe Court was a boggle or troll. Some, like Aurilia and Vidal, were as lovely as any High Court elven lord or lady.

  Now that they had both studios up and running, they still did produce that simpler sort of film, for over in Studio One, they'd finished one such film tonight. A gay-bondage party using the Caligula set, to be precise; one with a simple plot that was close to the reality of the situation—a group hires a strip-tease entertainer for the birthday-boy, then they all decide to take things a little farther. The "party-favor" had been a very pretty young male hooker, dark-haired and dreamy-eyed, who Aurilia thought they might use again some time. He was the only one who hadn't known the "party" was being filmed; he'd been plied with liquor at the bar where he had been picked up, and drugged in the cab on the way here. The set was a discreet one, the cameras mounted behind mirrors. The other five men, old customers, had been recruited with a cash bonus and a promise of whatever they wanted from the company catalog.

  That was a formidable promise, and one that might have lured them more than the money. One thing that Adder's Fork had that no other pornshop possessed was an unbreakable copy-guard. Adder's Fork tapes could not be duplicated; attempts would only result in both tapes' signals breaking up—thanks to a special spell in the Underhill duplicating room. There was a warning to that effect at the front of each tape—and every time Aurilia received a request for a copy of something that duplicated an order to the same address, she smiled. Certain humans never could believe that there was something they couldn't get around.

  High-tech meets high magic—and loses.

  A more economic way to make ends meet. She considered her solution to the cash-flow problem to be just as clever and creative as Keighvin's. And far less work. His setup had taken decades to establish; hers mere months. His was rooted to one spot, and if there were ever troubles, he would have to vanish with no other recourse. Hers was as mobile as her "plane," for it did not matter where the Gate was located in the here-and-now of the humans' world, so long as it was rooted in something large enough to serve as an anchor. It was useful to have the studios Underhill, especially Studio Two. Screams couldn't penetrate the Gate, and even more Unseleighe Court creatures were vying for a chance to serve as extras in the films Two produced. Adder's Fork Studios had always been known for high-quality porn, but the Studio Two films, snuff-pictures with emphasized occult and satanic themes, really had the customers begging for more.

  The customers raved about the "special effects," and it was not the deaths they were talking about. Vidal's careful camera work, showing every nuance of the snuff and lingering on the corpse afterwards, so that the customer could see for himself that it was neither moving nor breathing, made sure the customers knew they had gotten what they paid for. Most of the dead were magical constructs, who lived and breathed only long enough to scream and die, but
there were enough true human deaths—and human reactions of fear and pain—to satisfy both the customers and the thirsts of Aurilia and her partners. No, the customers were talking about the "monsters" and "demons" that participated in the sexual rituals, and usually accounted for half of the deaths. Little did the clients know that these "monsters" were not humans in makeup and prostheses, but the Unseleighe Court creatures who thronged Aurilia's auditions every time she cast a picture.

  And no one ever went away disappointed. Whoever didn't get on camera, got to help dispose of the corpse when Vidal didn't need it anymore. Maybe we ought to film that next time. . . . The Chicago doctor in this version was going to be a satanist as well, and at the moment when the police broke down his door, would summon a demon to carry him to (presumed) safety. On second thought, Aurilia decided to leave the script the way it was, with nothing other than the rituals and the half-seen hints of "the Master," with the supernatural actually entering the picture only at the end. Save all the limb-chewing for the next flick.

  It was ironic, Aurilia thought, that human religious fanatics seemed convinced that there were so many truly innocent activities that were inspired by their "Satan" and created by evil, yet they didn't recognize true evil when it walked among them. Adder's Fork was the name of the studio that produced bondage, kiddie-porn, and snuff-films. The holding company that owned the airplane and (supposedly) produced training films was a respected member of the Chamber of Commerce, incorporated as "Magic Mirror, Inc." Vidal went to all the meetings and all the functions, smiled, and passed among the foolish human sheep, even donated money to some of the more fundamentalist churches, and none of them ever guessed that beneath his smooth, flawless exterior lay a creature that would gladly have torn their hearts from their living bodies and eaten them alive. In fact, he was praised by those fundamentalist leaders as a "true Christian businessman."

  A shiver of energies touched her spine as the Gate let someone through from the human world. She wasn't worried; right now the Gate was keyed only to herself, Vidal, and Niall mac Lyr. She waited a moment, dimming the lighting with a thought. Vidal stalked through the door from Studio One shortly thereafter, closing it so carefully behind him that Aurilia knew he was angry.

  Lovely. What sort of temper tantrum am I going to be treated to this morning?

  She turned slowly to face him: He was still wearing his human-seeming, which meant that although he was angry, he had not been enraged so far as to lose control. It was much the same as his true-shape; raven hair replaced the silver, though he wore it longer when he was not passing among humans. The pale skin had been overlaid with a golden tan. Brown eyes with round pupils substituted for the colorless, pale green, cat's eyes . . . But the brow was just as high, the cheek-bones just as prominent, the eyebrows still slanted winglike towards his temples, and the body was still the wiry-slender build of a gymnast or a martial artist. His face wore a cool, indifferent expression, but his body betrayed him.

  She, in her turn, did not pretend she did not notice his anger. She simply waited, smoothing the cream-colored silk of her skirt with one hand. She might be the head of this triad, the one with the plans, but he was the strength. He was only a little less intelligent than she, and a better, more powerful mage than she, and she had no intention of ever forgetting that fact. Only his hatred for Keighvin Silverhair kept him at her side, for normally Vidal worked alone. What Keighvin had done to him to warrant that undying enmity, Aurilia did not know and had never asked, but Vidal had tried to destroy the High Court lord for centuries. Until recently, he had rebuffed all efforts at recruiting his aid, even to eliminate Keighvin—but when she approached him with her plan, he had volunteered his help as soon as she had presented it all to him.

  So now she waited for him to speak, and even though she felt a flash of irritation at his superior attitude, she suppressed it. She could not afford to lose him, and she would not antagonize him. Not yet, anyway.

  He stalked past her, to the Roman orgy set; they'd finished the Caligula picture last week, but Aurilia hadn't broken the set down yet, because she'd planned to use it for the party picture. Vidal flung himself down on one of the stained cream satin-covered couches, and glared up at her through absurdly long lashes. She seated herself calmly, folded her hands in her lap in a position of calculated passivity, and waited for him to say something. It would have to be verbally; he would not deign to speak to her mind-to-mind. She was not of sufficient rank to warrant that intimacy.

  "Keighvin's close to getting the engines into production," he snarled, finally. His command of human vernacular had improved out of all recognition in the past few months. Now it was almost as good as hers. "Very close. He's within weeks."

  Aurilia frowned as she recalculated her original plan; she hadn't expected to have to put it into motion quite so soon. She crossed her legs, restlessly. "That's not good—but we've got a counter-plan already in place to discredit him." She blessed the day that she had watched that movie about Preston Tucker. It had given her everything she needed. . . .

  "It won't fly," Vidal informed her, his black brows meeting as he scowled. "Somehow he's figured out his own weak spots, and he's ahead of you. He's got a human to front for him. A man with respect and reputation; a retired metallurgist who used to work for Gulfstream. This human knows his field, Aurilia, and he's got contacts we can't touch in the human world. He's going to be able to concoct an explanation that will hold up. And both Keighvin and that human mage of his have placed protections about this new man. I can't touch him magically, not with human and elven magic working against me. I couldn't even take down the first of his shields unless I could catch him Underhill."

  That wasn't good; briefly she wondered if Keighvin or the human had seen the same movie she had. She would have to assume that they had, and plan accordingly. She closed her eyes for a moment, and thought. "This human, how old is he?" she asked, finally. "How healthy is he? Could we attack him physically?"

  "Well, he's retired, so he's at least sixty-five," Vidal admitted. "He doesn't look terribly sturdy, but he's from the Old Country. You know those scrawny little men—they look fragile, but they're as tough as a briar root and twice as hard to break."

  From the Old Country? Eire? Hmm—first generation immigrant? I can work with that. "But their meals are full of butter and eggs and fatty bacon," Aurilia said with a sly smile. "And they drink. That doesn't do a great deal for their hearts, their arteries, or their livers. By now, Keighvin has convinced him that all of his childhood tales are really true, and he's thinking of the things besides the Seleighe Court that might be real. He should have dredged up a tale or two from his memory about us—hopefully, a gory one. Why don't you go see if you can't frighten him into a heart attack?"

  Vidal considered the idea for a moment, then smiled, slowly. His muscles relaxed, and the frown-line between his brows faded. "Now, that's not a bad notion—and it has a certain amount of entertainment value as well. A good thought, acushla. Well done."

  That last was patronizing, a pat on the head, as one might pat a dog for a clever trick. Aurilia kept her temper, and smiled winsomely back at him. She was the mind, and he the strength; as long as she kept that firmly in mind, she remained in control of the situation, no matter what he might think. Let him break into a froth at every obstacle. She would keep her head, and guide them all through to the other side.

  As she would keep careful track of every insult. She was not of high rank in the Unseleighe Court—but rank could be gained by toppling one higher. There would be an accounting when this was over.

  Oh, yes.

  Vidal lounged on his couch, perfectly at ease now, with a look in his eye as if he might well order Aurilia to wait on him in a moment. He could get away with that if he cared to, right now. He could order her to produce refreshment, or even to serve him in other ways, and she was bound by rank to do as he asked.

  She had to sidetrack him, to remind him of her status in the human world, where he depend
ed on her plans and knowledge. He'd enjoyed working the Caligula picture; he didn't much like the Deadly Doctor concept, mostly because it wasn't decadent and luxurious enough. Aurilia sought for a distraction in plans for Adder's Fork to keep him from giving her orders—she wasn't sure she'd be able to keep her temper if he took the master-slave tone with her.

  "What do we do after the Deadly Doctor?" she asked, innocently, looking around at the cream-and-red set, four couches, a couple of marble columns, and a lot of draperies and mirrors. And the series of red ropes lying about. It wasn't an elaborate set; the extras had provided much of the ornament on the Caligula film, and the party picture hadn't needed much more. "It ought to be something demonic. I'd thought Aztec—"

  Vidal shook his head emphatically; the one place where she trusted his judgment over hers was in marketing. Somehow he always anticipated what the customers were going to buy. "Not yet. I don't think the customers are going to be ready for anything that exotic yet. It requires too much imagination, and the lead characters are the wrong color. We'll lose a lot of our Southern audience. They want handsome white men as their protagonists. We need something—steamy—decadent—depraved, debauched. Exotic, but not something where the customer can't identify with the master character—"

  He shook his head, unable to come up with anything. On reflection, Aurilia agreed with him. She searched for a subject that might do, and suddenly a most unlikely source of inspiration flashed into her mind.

  It was the rack of paperbacks at the airport; fully half of them were lurid romances, and she remembered thinking at the time that taken with a little less sugar and allowing the "villain" to win, the plots weren't all that different from Adder's Fork productions. Passion's Frenzied Fury, Harem Nights, Wild Moon Rising, they featured stupid, sweet and submissive heroines and some villains who certainly fit the "exotic, depraved, and debauched" description.

  "What about a harem thing?" she asked. "We could re-use most of the Caligula set. . . ." But Arabs were not in particularly good odor at the moment, not even with the Adder's Fork customers. And the master character in a harem theme would have to be an Arab. "No, how about pirates; we could do the same there, use this set for the pirate captain's cabin, with one couch and a couple of sea-chests full of bondage gear. The customers won't know they didn't have reclining couches on ships, and frankly, I doubt they'll care. We can open with a boarding party, kill off a few constructs, lots of blood and guts there, take prisoners, and then cut to the cabin."