Lark and Wren Page 2

  Now she not only found herself scrubbing and cleaning, she was serving in the common room at night, something she hadn't had to do since she was a good enough fiddler to have people ask her to play. That was one of the reasons the Hungry Bear was so popular; even when there weren't any traveling musicians passing through, people could always count on Rune to give 'em a tune to sing or dance to. Why, people sometimes came from as far away as the next village of Beeford because of her.

  But now-she was allowed to play only when the crowds asked Jeoff for her music. If they forgot to ask, if there was no one willing to speak up-then she waited on them just like silly Maeve, while Stara presided in Rose's place over the beer barrels, and Jeoff tended, as always, to the cashbox.

  Rune bit her lip, beginning to see a pattern in all this. There were more changes, and they were even more disturbing. There was no doubt in Rune's mind that her mother had set her sights on Jeoff. Aiming, no doubt, for matrimony.

  When Rose was alive, Stara had kept herself quietly out of sight, her hair tightly braided and hidden under kerchiefs, wearing her blouse-strings pulled tight, her skirts covering her feet, and keeping her eyes down. Rune knew why, too-Stara flung it in her face often enough. Stara had one bastard; she was not minded to attract the master's eye, only to find herself in his bed and saddled with another bastard.

  But since Jeoff put off his mourning bands, Stara had transformed from a drab little sparrow to a bird of a different feather entirely. She was rinsing her hair with herbs every night, to make it yellow as new-minted gold and smell sweet. She had laced the waist of her skirts tight, kilted them up to show ankles and even knees, and pulled her blouses low. And she was painting her face, when she thought no one could see her; red on the lips and cheeks, blackening her lashes with soot, trying to make herself look younger. Where she got the stuff, Rune had no idea. Possibly a peddler, though there hadn't been any with things like that through here since before winter.

  Stara didn't like being reminded that she had a fourteen-year-old daughter, and she certainly didn't want Jeoff reminded of the fact. It helped that Rune looked nothing like her mother; Rune was tall, thin, with light brown, curly hair, and deep brown eyes. She could-and occasionally did-pass for a boy in the crowded common-room. She was nothing at all like soft, round, doll-pretty Stara. Which was exactly as Stara wanted things, Rune was sure of it.

  For there was a race on to see who'd snare Jeoff. Maeve was no competition; the girl was plain as well as simple-although it was a good thing she was plain, or she would have been fair game for any fellow bent on lifting a skirt. Rune wasn't interested-and half the time Jeoff absentmindedly called her "lad" anyway.

  Stara's only competition would come from the village. There were a couple of young women down there in Westhaven of marriageable age, whose fathers saw nothing wrong with running a good, clean inn. Fathers who would not be averse to seeing their daughters settled in as the innkeeper's wife. None were as pretty as Stara-but they all had dowers, which she did not. And they were younger, with plenty of childbearing years ahead of them.

  Much younger, some of them. One of the possible prospects was only sixteen. Not that much older than Stara's daughter. No wonder Stara wanted to be thought younger than she was.

  Rune got out her fiddle and began tuning it. It was a little too cold to be playing outside-but Jeoff liked hearing the music, and once she started playing it was unlikely that Stara would order her to do something else.

  The gift of the fiddle had been Rose's idea. She'd watched as Rune begged to play with traveling minstrels' instruments-and had begun to coax something like music out of them right away-she'd seen Rune trying to get a good tune out of a reed whistle, a blade of grass, and anything else that made a noise. Perhaps she had guessed what Rune might do with a musical instrument of her own. For whatever reason, when Rune was about six, a peddler had run off without paying, leaving behind a pack filled with trash he hadn't been able to sell. One of the few things in it worth anything was the fiddle, given immediately to Rune, which Rune had named "Lady Rose" in honor of her patron.

  It had taken many months of squealing and scraping out in the stable where she wouldn't offend any ears but the animals' before she was able to play much. But by the time she was eight, minstrels were going out of their way to give her a lesson or two, or teach her a new song. By the time she was ten, she was a regular draw.

  Rune was smart enough to remember what the common room had looked like on any day other than a market-day before she had started to play regularly-and she knew what it was like now. Rose's "investment" had paid off handsomely over the years-gaining in new business several times over the worth of the old fiddle.

  But Stara-and there was no doubt in Rune's mind who was behind all the changes-evidently didn't see things that way, or thought that now that the extra custom was here, it would stay here. Rose could have told her differently, told her how it wasn't likely the Hungry Bear would hold anyone who didn't actually belong in Westhaven if there wasn't something beyond the beer to offer them. But Rose wasn't here, and Jeoff was not the kind to worry about tomorrow until it arrived.

  On the other hand, although Stara was behind the changes, Jeoff was behind the cashbox. If Rune pointed out to him that he was losing money right now, that people weren't coming from outside the village bounds, and that those within the village weren't staying as long of an evening because she wasn't playing, well, maybe he'd put a stop to this, and hire on a good strong boy to do some of the work.

  She thought again about going outside to practice, but the breeze coming in the window decided her against the idea. It was really too cold out there; her fingers would stiffen in no time.

  She tuned the fiddle with care for its old strings; she wanted to replace them, but strings were hard to come by in this part of the world. If she was lucky, maybe a peddler would have a set. Until then, she'd just have to make sure she didn't snap one.

  She closed her eyes for a moment, and let her fingers select the first couple of notes. The tune wandered a bit, before it settled on a jig, a good finger-warmer, and one of the earliest melodies she'd learned. "Heart for the Ladies," it was called, and folks around here usually called for it twice or three times a night when they were in the mood for dancing.

  Rune closed her eyes again; she remembered the woman who had taught it to her as clearly as something that had happened yesterday.

  Linnet had been her name, so she said; odd, how many of the traveling players had bird-names. Or maybe they just assumed bird-names when they started playing. Linnet had been one of a trio of traveling minstrels doing the Faire circuit, a mandolin player, herself on flute, and a drummer. Linnet was a tiny thing, always smiling, and ready with a kind word for a child. She had more hair than Rune had ever seen let down on a woman; she didn't wear it in a wife's braids, nor loose under a coif like a maid. The coppery-brown tresses were twined with flowers and piled in loose coils about her head when Rune first saw her, and later, it was tied in two long tails bound around with leather and thongs for traveling. When she let it down, it reached past her knees.

  She had been as ready with her help as her smiles. When Rune brought out her fiddle, and attempted to follow their tunes silently, fingering but not bowing, she had taken the girl aside and played "Heart for the Ladies" over and over until Rune had gotten it in her head, then helped her to find the fingerings for it on the fiddle.

  And then, the next day, when the trio had gone their way, Rune had practiced the piece for hours until she got it right. She'd waited until someone in the crowd that night saw her and called out, "Well, little Rune, and have ye got a new piece for us to hear?" the way some of them used to, half in earnest, half to tease her. This time, she'd answered "yes," and brought out her fiddle.

  She'd surprised them all with the jig, so much so that they'd made her play it again and again-and then, several times more, so that they all could dance to it.

  That night had brought her a pair of copper
bits, the first time she'd been paid for her fiddling. It had been a heady moment, made all the headier by the first money she had ever owned.

  She played the jig over twice more, until her fingers felt flexible and strong, ready for anything she might ask of them.

  But what she asked of them next was the very latest piece she had learned, a slow, languorous love song. The lilting melody was the kind of song popular at weddings, but mostly not in the tavern.

  A real fiddler had taught her this one; this and near two dozen more.

  She smiled to think of him. Oh, he was a villainous-looking lad, with a patch over one eye, and all in gypsy-colors, half a brigand by his looks. But he had played like an angel, he had. And he'd stayed several days the first time he'd stopped at the Bear-because of the bad weather for traveling, so he'd said, and indeed, it had been raining heavily during all that time. But he'd had a horse-a pony, rather-a sturdy beast that was probably quite capable of taking him through rain and snow and anything else he might ask of it. It wasn't weather that had kept him, but his own will.

  The rains pounded the area for a week, providing him ample excuse. So he stayed, and enlivened the tavern by night, bringing folks in from all over, despite the weather. And he'd schooled Rune by day.

  Quite properly, despite her early fears as to his behavior. Fears-well, that wasn't quite true, it was half hope, actually, for despite his rascally appearance, or even because of it, she'd wondered if he'd pay court to her. . . .

  She certainly knew at thirteen what went on between man and maid, male and female. She had taken some thought to it, though she wasn't certain what it was she wanted. The ballads were full of sweet courtings, wild ones, and no courtings at all-

  But he was as correct with her as he had been bawdy with the men in the tavern the night before. He'd stopped her on her way to some trivial errand, as he was eating his luncheon in the otherwise empty common room.

  "I hear you play the fiddle, young Rune," he'd said. She had nodded, suddenly shy, feeling as awkward as a young calf.

  "Well?" he'd said then, a twinkle in the one eye not covered with a patch. "Are you going to go fetch it, or must I beg you?"

  She had run to fetch it, and he'd begun her lesson, the first of four, and he had made her work, too. She worked as hard at her fiddling under his critical eye as she'd ever worked at any task in the tavern.

  He saved the love songs until the last day-"A reward," he'd said, "for being a good student"-for they were the easiest of the lot.

  If he'd introduced them at the beginning of the lessons, she might have suspected them of being a kind of overture. But he'd waited until the last day of his stay, when he'd already told her that he was leaving the following morning. So the songs came instead as a kind of gift from a friend, for a friend was what Raven had come to be. And she treasured them as completely as she would have treasured any material gift.

  He'd returned over the winter, and again the next summer, and this winter again. That was when he had taught her this melody, "Fortune, My Foe." He should be coming through again, once the weather warmed. She was looking forward to seeing him again, and learning more things from him. Not just songs-though courting was not on her mind, either. There was so much she needed to learn, about music, about reading it and writing it. There were songs in her head, words as well as music, but she couldn't begin to get them out. She didn't know how to write the tunes down, and she didn't have enough reading and writing of words to get her own down properly so that another could read them. She had barely enough of writing to puzzle out bits of the Holy Book, just like every other child of the village, and there was no learned Scholar-Priest here to teach her more. There must be more . . . there must be a way to write music the way words were written, and there must be more words than she knew. She needed all of that, needed to learn it, and if anyone would know the way of such things, Raven would, she sensed it in her bones.

  Raven was weeks away, though. And she would have to be patient and wait, as the Holy Book said women must be patient.

  Even though she was almighty tired of being patient.

  Oh, enough of such lazy tunes.

  The trill of an early songbird woke another melody in her fingers, and that led to many more. All reels this time, and all learned from a rough-faced, bearded piper just a few weeks ago. He'd come to play for the wedding of some distant relations, and though he had not made any formal attempt at giving her lessons, when he watched her frowning and following his music silently, he'd played everything at least three times over until she smiled and nodded by way of a signal that she'd got the tune straight in her head.

  He'd gone before nightfall, not staying-he couldn't have played at the tavern anyway; the pipes were not an instrument for indoors.

  But this winter, after her fiddler had come and gone, there had been a harper who had stayed for nearly two weeks. He was a Guild Minstrel, and was taking a position at the court of the Sire. He was ahead of time, having come much faster than anyone would have ever expected because of a break in the weather, and had taken the opportunity to rest a bit before taking the last leg of the journey.

  He was an old man, his hair half silver, and he had been very kind to her. He'd taught her many of the songs popular at the courts, and she had painstakingly adapted them for fiddle. He hadn't had much patience, but fortunately the melodies were all simple ones, easy to remember, and easy to follow.

  But from those simple songs, her fingers slowed, and strayed into a series of laments, learned from another harpist, a real Gypsy, who would not come into the village at all. Rune had found her with her fellows, camped beyond the bridge as she had returned from an errand. Unaccountably, eerily, the girl had known who she was, and what instrument she played. It still gave Rune a chill to think of her, and wonder how it was the other musician had known all about her.

  She'd stopped Rune as the girl lingered, watching the Gypsies with burning curiosity. "I am Nightingale. Bring your fiddle," she'd said abruptly, with no preamble. "I shall teach you songs such as you have never heard before."

  With a thrill of awe and a little fear, Rune had obeyed. It had been uncanny then, and it was uncanny now. How had Nightingale known who she was, and what she did? No one in the village would have told her-surely.

  And indeed, Nightingale had taught her music the like of which she had never heard before. The strange, compelling dance music was too complicated to learn in a single afternoon-but the laments stuck in her mind, and seemed to make her fingers move of their own accord. . . .

  "Rune!"

  She started, and opened her eyes. Stara had a mug in one hand, and most of the rest up on their pegs, above the beer barrels, and she had turned to stare at Rune with a strange, uneasy expression on her face. Rune got ready for a tongue-lashing; whenever Stara was unhappy or uneasy, she took it out on someone. And Maeve wasn't within reach right now.

  "Haven't you practiced enough for one day?" Stara snapped crossly. "You give me the chills with that Gypsy howling. It sounds like lost souls, wailing for the dead."

  Well, that was what it was supposed to sound like-

  "-or cats in heat," Stara concluded, crudely. "Haven't you got anything better to do than to torture our ears with that?"

  "I-" she began.

  A cough interrupted her, and she glanced over at the door to the kitchen. Jeoff stood there, with a keg of the dark ale on one shoulder.

  "We're going to be working in here for a while, Rune," he said. "I don't want to sound mean, but-that music bothers me. It's like you're calling something I'd rather not see."

  Meaning he's feeling superstitious, Rune thought cynically.

  "Don't you think Jib could use your help in the stables?" he said-but it sounded like an order.

  "Yes, sir," she said, trying not to sound surly. Just when I was really getting warmed up. It figures. "I'll see to it, Master Jeoff."

  But as she put her fiddle away, she couldn't help watching Jeoff and her mother out of the
corner of her eye. There was something going on there, and it had nothing to do with the music.

  It looked like Stara's ploys were working.

  The only question was-where did that leave Rune?

  CHAPTER TWO

  With her fiddle safely stowed away, Rune made her reluctant way to the stable-yard-such as it was. This little road wasn't used by too many people, certainly not the kind of people who would be riding high-bred horses that required expensive stabling. When the Sire traveled, he took the roads patrolled and guarded by the Duke's Men. And when someone was sent to collect taxes and take the man-count, it was never anyone important, just a bailiff. This village never gave any trouble, always paid its taxes with a minimum of cheating, and in general was easy to administer to. There were robbers, occasionally, but when robbers cropped up, a quick foray into the woods by the local men usually took care of them. There were places said to be dangerous, because of magic or supernatural menaces, but the road bypassed them. People who traveled between here and Beeford were simple people, without much in the way of valuables.

  So the stable was a bare place, nothing more than four walls and a roof, with a loft and a dirt floor. Half of it was the storage place for hay and straw-no grain; the inn pony and donkey were sturdy enough to live on thistles if they had to, hay and grass suited them very well. The other half had been partitioned into rough stalls. There was a paddock, where beasts could be turned loose if their owners couldn't afford stable-fees, or the inn beasts could be put if their stalls were needed for paying tenants. That had never happened in Rune's experience, though they had come near to it in Faire season. The loft stood over the half where hay was stored, and that was where Jib slept, hemmed in and protected by bales of hay, and generally fairly snug. Tarn Hostler, the stable-master, slept with his wife Annie Cook in her room next to the kitchen. In the winter, Jib slept next to the kitchen fire with Granny.