Beyond World's End Page 14

  He circled around behind the buffet. It was pretty well denuded by now—only some cheese and fruit remained—and the ice-sculpture centerpiece was so melted it was now impossible to tell what it had originally been. Eric reached out and placed his hand against it, savoring the coolness. You'd think they could just open the doors and let some December in, but apparently nobody'd thought of that.

  "I'm not going to let you ruin your future over some silly girlish tantrum."

  The voice was low and furious. Eric glanced up in surprise. Lydia Ashborn was standing backed into a corner by a tall man in a very expensive suit and an even more expensive haircut. Eric recognized Marco Ashborn, Lydia's father.

  "Do you want to be a bit player all your life, just some faceless unknown musician without even a separate credit? You should have had a solo tonight, and you know it. Don't you want to record and tour in your own right? Why are you trying to piss it all away? Is this about me? Is that what this is all about, Lydia?"

  Man, does it all have to be about you? The uprush of anger was automatic, stemming from still-unhealed scars. He'd been in Lydia's position once: a Trophy Child, treated as nothing more than a playing-piece on the parental chessboard. An accessory. A thing, not a person. And that was wrong on so many levels.

  Eric saw the glitter of tears as Lydia ducked her head and fought to control his anger. Discipline above all things, Dharinel had told him. A Bard's displeasure could wound. A Bard's anger could kill.

  "Don't you look away from me, dammit!" he heard Marco hiss. Marco grabbed his daughter's arm roughly, and Eric saw Lydia's face go white with the pain.

  That's enough.

  Eric reached for the stillness within that Dharinel had created in him with all those long months of training, and composed his face into a simple harmless expression of hero worship as he walked over to the two of them.

  "Hey, excuse me, but aren't you Marco Ashborn, the violinist?"

  The burly man turned toward Eric, irritation warring with the game face that every public performer learns to assume at need.

  "It's an honor to meet you, sir," Eric went on, blithely ignoring the emotional undercurrents swirling around Marco and Lydia. "I've enjoyed your work so much." That, at least, was true—though how much he'd ever like Marco's playing now that he knew what a goon the guy was in real life was an interesting question. "Lyd's certainly inherited your talent—I'm in some of her classes as well as her chamber music group." Eric held out his hand, still radiating peaceable obliviousness. "Eric Banyon."

  Marco's face cleared. He recognized Eric, and more, he responded to Eric's calm confidence, his assumption of being someone whom the famous Marco Ashborn would want to know. It was the simplest sort of magic—and not really magic, because in its own way, it was true.

  "I saw your performances tonight. Both of them. That solo was most impressive," Marco rumbled.

  "Thank you, sir," Eric said. "I was pleased with our ensemble work. Lydia made me look good," he went on, deliberately misunderstanding the other man's words. "You must be very proud of her."

  He could almost see the conflict between the desire to administer another put-down to his daughter and the instinct to appear praiseworthy chase themselves around Marco's face, but the older man, as Eric had expected, went with political expediency. You didn't get to where Marco was on talent alone. A career was built on a network of relationships. Prima donna attitude might make good news stories, but professionalism and tact built a career that lasted.

  "Yes, I am," Marco said, gazing into Eric's eyes with deep sincerity. "I only wish her mother could have been here to see her."

  Eric felt rather than saw Lydia dart an angry glance at her father, hating him for his hypocrisy. Eric sent out the tiniest tendril of Power, willing someone to appear who could end this deadlock before Marco could resume taking Lydia apart again.

  "Marco—darling! I've been trying to get you alone all night. Hello, Eric—you were wonderful this evening. You must come and play for us some time soon. Now, this won't take a moment—" The tall grey-haired woman—Eric had spoken to her earlier, but didn't remember who she was—expertly claimed Marco for her own and led him off. As Eric had hoped, Marco was too much a manipulator to want to carry on abusing Lydia with witnesses present. That sort of emotional torture worked best when no one suspected it.

  Well, I suspect it. For a moment he was tempted to cast a geas on Marco that would keep him from ever being cruel to Lydia again, but Dharinel had emphasized, over and over, that use of the Power was like a stone thrown into a still lake—ripples spread out from every action, and the smallest uses of Power could have the largest—and most unforeseen—consequences. Unless he was certain of what would happen, he'd better leave the matter alone—at least magically.

  Eric glanced at Lydia, who favored him with an effortful smile before turning blindly away. He knew he hadn't done much to help, but at least he'd done something. And undoubtedly Marco Ashborn would be jetting off to some exotic foreign city soon to leave his daughter in peace.

  For a while. But maybe a while will be enough.

  * * *

  After a few minutes more, Eric was able to make a graceful exit from the Artists' Reception and head over to the student party in the dorms. The celebration there was a lot noisier and a lot more honest—everybody was blowing off steam, filled with relief at having gotten through the all-important Winter Concert without absolute disaster.

  There was a "No Alcohol" rule for the dorms, honored except by those few who simply had to break any rule just because it was there. But this party was proctored, and after the performance high of the concert, nobody really needed anything other than soda and fruit juice to get really rowdy anyway.

  "Hey, Eric!" Jeremy shouted, waving. The young bassoonist was balanced on the end of the battered couch in the Student Lounge, his pale hair damp and standing up in spiky cowlicks. He looked like a goblin-child from a Victorian children's book.

  Now where the hell did THAT simile spring from?

  "Hey, Jer," Eric said, coming over. There was a big cooler beside the couch. Trust Jeremy to take up a strategic position by the refreshments. He was as savvy in his way as Kayla, Elisabet's young Healer-apprentice, was in hers.

  "Have a drop of the pure," Jeremy said, lifting the lid of the cooler and pulling out a bottle of Glacéau.

  It was spring water flavored with various fruit essences, and was a great favorite with the elves: Eric's refrigerator at Guardian House was full of it. Eric twisted the cap off and chugged the bottle, relishing the shock of cold. The reception had taken more out of him than he'd thought it would. He felt grimy, like a window so covered with smudged fingerprints that the light barely shone through.

  Dharinel told me there'd be days like this. "Nothing comes without a price," he always said. Being a Bard makes you vulnerable to influences most people never even notice, while at the same time it gives you power most people can never imagine.

  Jeremy handed him another bottle without even asking. "You looked better backstage before we played. So. How many propositions did you get?"

  Eric stared at him blankly. Do you mean that the way it sounds? Jeremy was 17, but he was short and round-faced, and looked much younger. The boy's face twisted, and for a moment it wore a bleakly cynical expression that Eric had never seen before. "You know. The `I could do so much for your career with just a little private tutoring' line?"

  Funny. Isn't that the phrase Ria used once?

  "Oh, you know," Eric said lightly. "The usual nebulous job offers. But nothing like that."

  "You're lucky," Jeremy said, then looked guarded, as if he felt he'd ruined his Captain Cool image by saying too much.

  If he'd been someone else, Eric would have urged Jeremy to tell him more, to report incidents like that to his Student Advisor. But Eric already knew that offers like that were rarely made openly. It was all interpretation and innuendo, impossible to prove. And the act of bringing the accusation could bring an
end to a promising career before it even started.

  "Yeah, well," Eric said. "Nobody rides for free. Isn't that what they say?" Everything comes with a price. Too bad they don't always tell you what it is going in.

  "That's what they say," Jeremy said, obviously relieved that Eric wasn't going to go all over Adult and Role Model on him.

  "Hey, Eric!" someone called. It was David, another of the soloists, calling him over to congratulate him on his playing. Eric turned away, the second bottle of Glacéau still in his hand.

  * * *

  He'd only meant to look in at the after-concert party, pick up his jacket, and then go on home. He didn't have any classes tomorrow, or even any rehearsals, but he did have a big assignment in Music Theory that had to get done Real Soon Now, and that meant making time for work instead of socializing.

  But the next time he thought to look at a clock—watches didn't work well Underhill, and Eric had never been much for timebinding at the best of times—he realized it was after midnight and the party was starting to break up.

  By the time he stepped out onto the street, Lincoln Center was deserted, the cafes and restaurants that abounded in this high-living area mostly closed for the night. If someone wanted a set for New York After The Bomb Dropped, they couldn't pick a better place than right here, right now. Eric shivered, even in the dark-red leather jacket he wore, as he juggled his options. He had to get home somehow. It was too cold to walk, and he hated the subway. The Center was usually a good place to pick up a cab, but since the Mayor's new policy on medallion licenses, cabs were in short supply everywhere. He looked up and down the deserted street, and decided to chance it.

  Putting his fingers to his lips, he whistled loudly and shrilly, a few bars of her signature tune forming in his head as he summoned his elvensteed to him. The tune was "God Bless The Child," a Billie Holiday song. He'd named Lady Day for The Lady of the White Camellias, and the song was his surest link to the elvensteed. He felt her acknowledge the call, and a few moments later—far too quickly for a vehicle that had been paying any attention at all to the posted speed limits—he heard the deep growl of Lady Day's engine and saw the gleam of her lights as she suddenly popped visible.

  The elvensteed pulled to a stop in front of him and waited, engine thrumming. She looked almost smug, and so she should, having figured out all by herself how to get here while drawing the least attention to herself. If any mortal had enough Talent to manage to glimpse her as she drove by, he wouldn't have seen a riderless motorcycle—and if he had, well, people had a way of editing what they saw until it made sense.

  Eric patted her gently on the gas-tank, and heard a ghostly whicker of amusement inside his mind. He climbed aboard, retrieving his helmet and gloves from the back of the saddle and putting them on. As he settled into the saddle, Eric realized that he'd been neglecting Lady Day these past few weeks, taking cabs and subways to school and even walking, and a good run was just what they both needed. A little magic would take care of the cold, and there was nothing on earth more sure-footed—or sure-wheeled—than an elvensteed.

  "What do you say, girl? Want to go for a run?" He squeezed the throttle experimentally, and was rewarded with a wail of glee from the elvensteed's engine.

  * * *

  A few turns, and they were headed up Riverside Drive, going north. The enormous bulk of the George Washington Bridge towered above him, and for just a moment, riding through the night, Eric felt a flicker of temptation to just keep on going, let the road take him away from all pressures and responsibilities and everyone he knew. But the thought quickly vanished—not out of any artificial sense of other-imposed responsibility, but because he'd already done that dance in all its many variations. The footloose existence of the open road no longer held any enchantment for him.

  I've already done that. It's part of the past, not who I am now. But the past doesn't go away neatly, does it? It's always there, like the key the music is written in.

  All unbidden, an image of Ria as he'd seen her—or thought he'd seen her—at the concert tonight rose up in his mind, vivid as a Sending. Unlike the rest of his old life—the drinking, the drugs, the running away—she still had power over him. That was what had been nagging at him all evening, driving him to do everything but think his problem through. Like it or not, he and Ria Llewellyn had unfinished business.

  But what? And how? And is all this—seeing her and the rest of it—just what Bethie's old therapist would have called "displaced anxiety"? Juilliard is rough—no secret about that—so maybe I'm just trying to come up with reasons to quit without having to blame myself for quitting.

  It was a valid point, and Eric realized he needed somebody to talk it over with. Someone he could tell the whole story to, without editing out the magical parts—a sounding board of sorts. Right now he felt as if an invisible trapdoor had opened up beneath him and left him standing on air.

  :Eric. Bard, do you hear?:

  It was Kory's voice in his head, and if Eric had actually been driving a motorcycle rather than being a passenger aboard an elvensteed, Lady Day would have gone down and he would have been kissing asphalt.

  :Kory?: Eric Sent back. :Kory—what's wrong? Is it Bethie?:

  :She is well, Eric. But come to us here. We must speak.:

  Unbidden, an image formed in his mind, and Eric knew where to go. Lady Day continued northward, much faster now that Eric had a true destination in mind.

  * * *

  Sterling Forest State Park was larger than just the few acres the Faire covered every year. The park was nestled in the gently-rolling Ramapo Mountains—known for centuries to be filled with haunted places and strange creatures, and for good reason. If he hadn't known that NYC was 90 minutes away, Eric wouldn't have been able to guess from the surroundings. He rode through the gates of the park, heading away from the long-gone Faire encampment—the Faire had already closed two months before—and a few moments later saw the pale flicker of a Portal open before him.

  Kory and Beth were waiting for him just inside. At a quick glance, the place where they stood looked just like the park—grass, trees, dark sky above. But the air here was warm and perfumed, the trees were in full leaf and the grass was green and soft and lush. He could see clearly, even into the darkest shadows, and nothing in the mortal world had the rich perfection of the meadows and forests of Underhill.

  Kory had shed the glamourie which protected him in the World Above. Now he appeared as himself—an elven knight and Magus Minor, with pointed ears and jewel-bright eyes, dressed in the silk and gold and baroque armor of a warrior of Faery, with a faint glowing nimbus of magic all around him.

  Beth was dressed in elven-kenned clothing that was a mix of Earthly and Underhill styles in soft deep greens and russets. She was visibly pregnant now, though the baby wouldn't be born for some months yet—her cheeks were rounder, and in the magic-laden air of Underhill she glowed with the power of Life and Creation. When she saw him she gave him a cocky "thumbs-up" salute, looking pleased.

  "Looking good, Banyon."

  Eric grinned back. Whatever the reason Kory had summoned him here, the trouble couldn't be as bad as all that if Beth was in such a mood. Of the three of them, Beth had always been the one to see the trouble from farthest away, the one who planned for the future, even when a future for any of them seemed most unlikely.

  He glanced toward Kory, and his attention was almost immediately captured by the Sidhelord standing beside Kory—one whom Eric had, quite frankly, never expected to see again once he'd left the halls of Elfhame Misthold: Dharinel, Master Mage, Elven Bard, and Prince of the Sidhe. Dharinel looked about as happy as a wet cat.

  Eric swung himself off Lady Day's saddle, pulled off his helmet, and bowed formally to his teacher—however much you could let slide in the World Above, in Underhill proper form and due courtesy were absolutely indispensable—before turning back to Kory and Beth. He'd said there was nothing wrong with Beth, which meant the baby was okay too, and Beth's chee
riness seemed to underscore that, but seeing Dharinel here, Eric desperately wanted to know why he'd been called.

  "There is trouble in your city," Kory said, looking pretty troubled himself. "We have come to warn you."

  "Warn me?" Eric risked a glance at Dharinel. My city? New York? Try as he might, he could not imagine his teacher caring whether or not Manhattan sunk into the ocean or flew off into space. There weren't any elves there, and Dharinel thought mortals were a waste of time. "About what?"

  Beth started to answer, but Kory put a hand on her arm, silencing her.

  "First you must know its history," Dharinel said, glaring in a way that warned Eric not to interrupt, no matter how impatient he got. "As you know, many centuries ago as mortals reckon time, the World Above and the World Under Hill lived together in harmony, until elvenkind was faced with a harsh necessity: either to seek new lands beyond the sunset, or to withdraw from the world altogether into the Fairy Lands Beyond.

  "This necessity fell upon both Courts, the Dark and the Light, equally, for all that many believe that the Unseleighe Sidhe draw much of their form and power from mortalkind, being shaped in the image of your fears and hungers—" Dharinel didn't quite sneer, but Eric was used to that. The origin of the Dark Court, and the reasons for its difference from the Bright, was a topic of endless discussion among the elves, and Dharinel's theory was a common one.

  "And so it was that the Sidhe, Seleighe and Unseleighe alike, came to the West, planting their Groves and shaping their Nexuses as they had in the Old World, gracing the tribes of Men with their puissance and their strength—in the case of the Bright Court—and shaping mortals in accordance with their own base nature—in the case of the Dark."

  Eric fretted, trying not to let it show, but Dharinel would not be rushed, as he knew from bitter experience.

  "But there were always places that all the Sidhe avoided, for good and sufficient reason. Places belonging to neither Court. In some of those places mortals have built great cities, where their own natures flourish without influence. Others, mortals had the good wit to avoid, until recent times. You have gone to such a place."